Max Ernst and Alchemy: A Magician in Search of Myth
ISBN: , SKU: , AUTHOR: Warlick, M. E. / Rosemont, Franklin, PUBLISHER: University of Texas Press, Surrealist artist Max Ernst defined collage as the "alchemy of the visual image." Students of his work have often dismissed this comment as simply a metaphor for the transformative power of using found images in a new context. Taking a wholly different perspective on Ernst ong>andong> alchemy, however, M. E. Warlick persuasively demonstrates that the artist had a profound ong>andong> abiding interest in alchemical philosophy ong>andong> often used alchemical symbolism in works created throughout his career. A revival of interest in alchemy swept the artistic, psychoanalytic, historical, ong>andong> scientific circles of the late nineteenth ong>andong> early twentieth centuries, ong>andong> Warlick sets Ernst's work squarely within this movement. Looking at both his art (many of the works she discusses are reproduced in the book) ong>andong> his writings, she reveals how thoroughly alchemical philosophy ong>andong> symbolism pervade his early Dadaist ong>experimentsong>, his foundational work in surrealism, ong>andong> his many collages ong>andong> paintings of women ong>andong> long>andong>scapes, whose images exemplify the alchemical fusing of opposites. This pioneering research adds an essential key to understong>andong>ing the multilayered complexity of Ernst's works, as it affirms his stong>andong>ing as one of Germany's most significant artists of the twentieth century.