eight cousins
Meridian DSP
Meridian DSP White High Gloss Onboard Digital Signal Processing for dynamic bass protection with exceptionally accurate transients. DSP always delivers clear, accurate, quality sound even at high levels and for prolonged periods. Meridian SpeakerLink connectivity makes DSP quick and easy to set up and install. Featuring a wide-range driver that allows the DSP crossover frequency to be well outside the speech band, the DSP delivers an effortless sound that remains clear, open and spacious, even at high listening levels. DSP Loudspeakers The traditional setup – amplifiers driving passive loudspeakers – is inefficient, limiting sound quality. Meridian loudspeakers contain a complete, matched audio system with efficient DSP crossovers, multiple DACs and driver-specific amplifiers, giving higher overall quality, less power use, and the performance of a traditional loudspeaker eight times the physical volume. SpeakerLink Traditional audio systems often require large, expensive cables to maintain their performance. Meridian's SpeakerLink uses an “Ethernet style” cable that delivers pristine digital sound and control down a single cable between Meridian components. The result is simple, unobtrusive, and cost-effective cables that are easy to install. Triple FIFO Buffering Each sample of a digital recording must remain evenly spaced in time. Unfortunately, timing can vary, especially when reading discs. This is “jitter”, degrading music's sense of space and diminishing realism. Meridian's multiple “First In, First Out” buffering system minimises jitter, ensuring perfect timing and improved clarity. You enjoy a clearer feeling of the instruments and their interrelationship. Meridian High Resolution (MHR) MHR was the first approved encryption method for transferring high definition digital audio between components. Previously, it had to be in the analogue domain, reducing quality. MHR allows secure movement of high resolution digital audio within a Meridian system, without compromise, improving quality by reducing cyclic repetition. Meridian Apodising Filter Filters are critical in digital audio. Commonly they introduce distortion and harshness because of "pre-ringing". Early digital recordings suffer from harshness too, due to primitive filters. After painstaking research, Meridian developed a special filter that avoids pre-ringing, so it can be steeper, cleaning up the effects of early filters. The result: a better, cleaner sound from recordings old and new. Wide Range Driver Loudspeakers use crossovers to “divide” music into bands their drivers can reproduce. This introduces distortion, reducing sound quality – particularly on human voice recordings. Designing a single driver for both mid and high frequencies made a crossover within the vocal range unnecessary, avoiding distortion and reproducing more lifelike vocals at all volume levels. Performance Frequency response in-room within 3dB from 45Hz to over 20kHz. Output >105dB spl @ 1m on music material. Noise less than 15dB spl. Connections Meridian SpeakerLink in and out (RJ45) Construction 2-way sealed enclosure system. Drivers 1 x 165mm polypropylene bass driver. 1 x 85mm aluminium cone wide-range driver. Amplifiers Two 75W power amplifiers, one for each driver. Overall distortion typically
CANTINE APERTE – visita alla cantina PODERI MORETTI
CANTINE APERTE – visita alla cantina PODERI MORETTI di Moretti Francesco – Monteu Roero Sabato 28 e domenica 29 maggio l’Azienda Agricola Vitivinicola Poderi Moretti di Moretti Francesco sarà lieta di accogliere nella propria cantina gli enoturisti che sanno apprezzare i vini di pregio e qualità. La cantina rimarrà aperta dalle alle . Visite guidate comprensive di degustazione della durata di un’ora e mezza circa con inizio alle ore , punto di partenza Borgata Occhetti n. 40 - Monteu Roero Sarà possibile effettuare visite guidate della cantina e del vigneto adiacente, con illustrazione delle varie fasi di produzione e invecchiamento del vino. Al termine della visita seguirà la degustazione di quattro vini a scelta, accompagnati da assaggi di salumi e formaggi tipici piemontesi, al costo di € 7,00 (scontabile in caso di acquisto vini). Per i bambini degustazione gratuita di succo d’uva di nostra produzione. Accogliamo tutti, ma per poterci organizzare al meglio è gradito il preavviso scrivendo a oppure telefonando al dopo le ore . Durante la giornata sarà possibile acquistare i nostri prodotti: vini, succo d’uva, nocciole tostate. La nostra cantina si trova in Borgata Occhetti Monteu Roero CN – Piemonte Borgata Occhetti Monteu Roero CN – Piemonte Monteu Roero dista: * 16 km da Alba https://goo.gl/maps/Z9VVJ * 30 km da Asti https://goo.gl/maps/5RinE * 63 km da Cuneo https://goo.gl/maps/YfvOd * 50 km da Torino (Autostrada A6 Torino-Savona uscita Carmagnola -> Ceresole d’Alba ->Monteu Roero) https://goo.gl/maps/PqmrA * 150 km da Genova (Autostrada A10 Genova-Savona, autostrada A6 Torino-Savona uscita Carmagnola -> Ceresole d’Alba ->Monteu Roero) https://goo.gl/maps/SScBV * 150 km da Milano (Autostrada A21 Torino-Piacenza uscita Asti est -> San Damiano d’Asti -> Canale -> Monteu Roero) https://goo.gl/maps/lzgDW Saturday 28 and Sunday 29, May, Poderi Moretti will be pleased to welcome in his own cellar wine lovers who appreciate the wines of quality and value. The winery will be open from to . You can take guided tours of the winery's production and aging, with illustration of the various stages of wine production. For those interested at the end of the visit will follow a guided tasting of four wines of your choice, accompanied by the tasting of salame and cheeses from Piedmont, at a cost of € 7.00 (discountable if buying wines). We would like notifications for visits of groups of more than eight people. Our address is: Borgata Occhetti Monteu Roero CN – Piedmont - ITALY Borgata Occhetti Monteu Roero CN – Piedmont - ITALY You can find Monteu Roero at: * 16 km from Alba https://goo.gl/maps/Z9VVJ * 30 km from Asti https://goo.gl/maps/5RinE * 63 km from Cuneo https://goo.gl/maps/YfvOd * 50 km from Torino (Motorway A6 Torino-Savona exit Carmagnola -> Ceresole d’Alba -> Monteu Roero) https://goo.gl/maps/PqmrA * 150 km from Genova (Motorway A10 Genova-Savona, Motorway A6 Torino-Savona exit Carmagnola -> Ceresole d’Alba -> Monteu Roero) https://goo.gl/maps/SScBV * 150 km from Milano (Motorway A21 Torino-Piacenza exit Asti est -> San Damiano d’Asti -> Canale d’Alba -> Monteu Roero) https://goo.gl/maps/lzgDW
The Average Human
ISBN: , SKU: , AUTHOR: Toby-Potter, Ellen / Potter, Ellen, PUBLISHER: MacAdam/Cage Publishing, Every small town in America has one: the family whose daughters are perpetually pregnant and whose sons go directly from the eleventh grade to the county lock-up. In the town of Loomis, in rural New York, that family is the Mayborns. Long haunted by accusations of incest and infanticide, the Mayborns have become a tribal clan of pariahs, with a roster of monstrosities attached to their name. June Mayborn, a fourteen-year-old with a preternatural sense of smell and a dubious code of morals, has an affair with a married candy-store owner. When the affair sours, June sets a deadly fire, accidentally killing an elderly man who had, over a decade before, established a cult-like commune in the foothills of Loomis. The subsequent funeral draws the beautiful and capricious Iris Utter, whose two-year-old son went missing from Loomis eight years earlier. Both Iris and her somber sixteen-year-old daughter, Lee, embark upon a dangerous and disturbing relationship with the Mayborns, which will both ravage and redeem their lives. When I was a child, my family rented a cabin in rural upstate New York, and down the road lived a family of local pariahs. Tales of their alleged misdeeds ranged from petit larceny to incest to murder, turning them into a band of provincial monsters. And, as if to cinch the case against them, all the daughters in the family had fingernails that were black and twisted, as though corruption sprouted directly from their fingertips. They kept to themselves, the girls bearing a disturbing shell-shocked look in their pale eyes, until they all simply picked up and left one day without a word, providing the town with yet more fodder for gossip. Only later, when I wrote about thefictional Mayborns, a much fiercer version of this real-life family, did I wonder about their aura of impending doom. Had they simply become trapped within the town's collective fiction of them, or were they truly a monstrous second cousin to the average human? For me, my first novel, The Average Human, will always be associated with schlepping bowls of pad thai, since I wrote the bulk of it while I waitressed in a Thai restaurant. Another waitress at the restaurant was also writing a novel, and together we made a pact to exchange at least two pages of writing every day. We kept the storylines and the characters alive by speculating about them endlessly, in between hauling plates of curried chicken or while we were polishing silverware. I'm sure we annoyed the hell out of the rest of the wait staff, but we finished our novels within months of each other. And we were each other's constant reminder that we were writers, not waitresses, despite the peanut sauce stains on our shirtsleeves. The Average Human is vivid, flawlessly written, and perfectly constructed. It's easy to remember whole passages at a time, because they instantly take root in your imagination. Ellen is the type of writer that readers will clamor for more of as soon as they finish this book.--P.W.
The Charlemagne Pursuit
ISBN: , SKU: , AUTHOR: Berry, Steve, PUBLISHER: Hodder & Stoughton General Division, ONE Garmisch, Germany Tuesday, December 11, The Present 1:40 pm Cotton Malone hated enclosed spaces. His current unease was amplified by a packed cable car. Most of the passengers were on vacation, dressed in colorful garb, shouldering poles and skis. He sensed a variety of nationalities. Some Italians, a few Swiss, a handful of French, but mainly Germans. He'd been one of the first to climb aboard and, to relieve his discomfort, he'd made his way close to one of the frosty windows. Ten thousand feet above and closing, the Zugspitze stood silhouetted against a steel- blue sky, the imposing gray summit draped in a late- autumn snow. Not smart, agreeing to this location. The car continued its giddy ascent, passing one of several steel tres-tles that rose from the rocky crags. He was unnerved, and not simply from the crowded surroundings. Ghosts awaited him atop Germany's highest peak. He'd avoided this rendezvous for nearly four decades. People like him, who buried their past so determinedly, should not help it from the grave so easily. Yet here he was, doing exactly that. Vibrations slowed as the car entered, then stopped at the summit station. Skiers flooded off toward another lift that would take them down to a high- altitude corrie, where a chalet and slopes waited. He didn't ski, never had, never wanted to. He made his way through the visitor center, identified by a yellow placard as MYncher Haus. A restaurant dominated one half of the building, the rest housed a theater, a snack bar, an observatory, souvenir shops, and a weather station. He pushed through thick glass doors and stepped out onto a railed terrace. Bracing Alpine air stung his lips. According to Stephanie Nelle his contact should be waiting on the observation deck. One thing was obvious. Ten thousand feet in the high Alps certainly added a height-ened measure of privacy to their meeting. The Zugspitze lay on the border. A succession of snowy crags rose south toward Austria. To the north spanned a soup- bowl valley ringed by rock- ribbed peaks. A gauze of frosty mist shielded the German vil-lage of Garmisch and its companion, Partenkirchen. Both were sports meccas, and the region catered not only to skiing but also bobsledding, skating, and curling. More sports he'd avoided. The observation deck was deserted save for an elderly couple and a few skiers who'd apparently paused to enjoy the view. He'd come to solve a mystery, one that had preyed on his mind ever since that day when the men in uniforms came to tell his mother that her husband was dead. ""Contact was lost with the submarine forty- eight hours ago. We dispatched search and rescue ships to the North Atlantic, which have combed the last known position. Wreckage was found six hours ago. We waited to tell the families until we were sure there was no chance of survivors." " His mother had never cried. Not her way. But that didn't mean she wasn't devas
Classè SIGMA SSP
Preamplificatori Multicanale Serie Sigma Preamplificatore/processore multicanale a 7.1 canali. 3D e HDMI 1.4. 3D. Streaming da rete, da MAC/PC, dispositivi iOS e da HD/Nas esterno. Airplay e DLNA. Decoder Dolby TrueHD e DTS HD Master Audio, Dolby Digital, Dolby Pro Logic IIx, DTS, DTS-ES, DTS Neo:6. DSP applicabile a tutti gli ingressi con equalizzatore parametrico a nove bande. By-pass per stereo. DAC 24bit/192KHz. Display TFT centrale. 2 ingressi USB asincroni (1 frontale e 1 posteriore), 1 presa Ethernet, 2 ingressi ottici e 3 coassiali, 1 uscita coassiale. 3 ingressi audio analogici di cui uno XLR. Pre out 7.1 con i frontali anche in XLR. 8 ingressi (di cui 1 sul frontale) e 1 uscite HDMI 1.4a. RS-232. Trigger IN/OUT. Controllo IR IN/OUT. RJ45 per bus dati. Uscita cuffia. Telecomando. Elegante finitura in alluminio spazzolato nero. A variety of connection options supports virtually any source optimally: Stream audio asynchronously from a computer, storage device or the Internet via the Sigma SSP’s Ethernet connection. The Sigma SSP supports both AirPlay and DLNA streaming. Front and rear panel USB connections support asynchronous streaming from computers and iOS devices. Eight HDMI inputs (including one on the front panel) provide the optimum path for Blu- ray players, games and set-top boxes while simplifying system connections. The Audio Return Channel lets YouTube, Netflix and other online sources decoded at your display play through the Sigma SSP by using the HDMI connection between them. Coax and optical are provided for those sources lacking the HDMI option. DSP options for improving performance are available to all sources. Bass management, a nine-band Parametric EQ and digital domain Tone Control with our Tilt feature ensure that the system can be optimized for your speak - ers and room, and every source sounds its best. An optional phono stage with custom loading may be fitted to accommodate MM and MC cartridges. The Sigma SSP owes its outstanding performance and value to the unique engineering and manufacturing capa - bilities of Classé in Montréal and the B&W Group globally. No other high-end audio designers have access to the resources necessary to deliver such a product at such a competitive price. The Sigma SSP has been conceived and built as an example of quality and value without peer. It will stand as the seminal reference in the preamp/pro - cessor category for many years to come. Modern high-end audio systems tend to fall into one of two broad categories: stereo and theater. But rarely are they used exclusively in those roles. Most have a television display of some kind between stereo speakers or use the surround sound system for playing music. Inevitably, each makes compromises as it tries to accommodate the requirements of the other. The Sigma SSP is designed to build a bridge between these two categories, optimized as a stereo preamp/processor but with HDMI switching and 7.1 channels of high-performance multichannel processing included. The stereo preamp/processor circuitry is derived from the latest generation Delta series CP-800, making the Sigma SSP a stunning performer as a stereo preamp. Test bench measurements are exceptional and suggest comparison with cost-no-object designs. Sonically the Sigma SSP out-performs stereo preamps with stand-alone DACs, while offering superb decoding of high-resolution formats including Dolby TrueHD and DTS-HD Master Audio. Sigma SSP
Dahon Cadenza XL Alfine perfetta
Vendo bellissima bici pieghevole Dahon Cadenza XL Alfine, unica nel suo genere. Ha ruote grandi ammortizzate, le famose big Apple da 26 pollici e una volta aperta ha un telaio perfettamente rigido come una bici non pieghevole. Ha un meccanismo di piega esclusivo dahon veloce ma robustissimo. Pesa come una bici analoga con ruote da 20, in quanto le ruote grandi permettono di avere un telaio di dimensioni minori. Rispetto a una bici da 20 ha lâ€(TM)unico neo che da piegata occupa più posto, ma in sella non è assolutamente paragonabile. Lo stesso telaio è riproposto da dahon anche nel ma non con componenti di pari livello: questa versione dispone di cambio interno Alfine 8v, freni a disco. Il prezzo attuale è di euro! La bici è veramente perfetta, senza graffi, usata pochissimo e completa di tutto. Sul manubrio è possibile montare un attacco clickfix con relativa borsa, senza intralciare la chiusura e la marcia. Dahon Cadenza XL The everyday, all weather bike commuter, Rolling smoothly over the nasty, potholed roads you ride on your morning commute, Park and Ride If your ride to work is less about sunny skies and smooth tarmac, and more about rain, grit and potholed roads, then you need to take a look at the Cadenza XL. Itâ€(TM)s primed for urban riding with Schwalbeâ€(TM)s legendary Big Apple tires and the smoothest shifting drivetrain on the planet â€" the Shimano Alfine. The aluminium frame is burly and stiff and even up close you can barely tell that it folds. But fold it does, in less than 30 seconds when you need to stash it in your hallway closet or take it on the bus. Technology Highlights: • Looks and rides just like a non-folding bike, but folds for easy transport and storage • The Shimano Alfine hub has eight gears and incredibly smooth shifting â€" and because itâ€(TM)s a hub gear, itâ€(TM)s almost maintenance free • Dahon Axis stem adjusts for height and reach so riders can find their optimal position on the bike • Schwalbe Big Apple tires roll fast and deliver plenty of cush when you need it • Mudguard and rack compatible Features: • Speeds: 8 • Gear Inches: " Distance: Seatpost to Handlebar: Min: 695 mm (27.1") Max: 715 mm (27.9") Distance: Saddle to Pedal: Min: 760 mm (29.6") Max: mm (39") • Folding Size: 35 x 99 x 88 cm (13.7" x 38.6" x 34.3") • Folding Time: 30 sec • Weight: 14.1 kg (31.1 lb) • Suggested Rider Height: S: cm ("); M: cm (5'6" -6'); L: cm (6'-6'4") • Max Rider Weight: 105 kg (230 lb) • Frame: OA Series, aluminium, patented LockJaw hinges, replaceable derailleur hanger, integrated head tube • Fork: Dahon SlipStream, Puro U7 aluminium, double butted tubing • Handlebar: Kinetix Comp, flat, double butted mm • Stem: Dahon Axis, patented InfiniteAdjust technology • Headset: Dahon Fusion, zero stack, cartridge, conical spacer • Grip/Bars Tape: BioLogic Arx, lock-on function, reflective end plugs • Saddle: BioLogic Aria • Seatpost: BioLogic PostPump, 31.6 mm • Seat Clamp: Aluminium with high leverage lever • Front Brake: Shimano Disc, Mechanical • Rear Brake: Shimano Disc, Mechanical • Brake Levers: Avid FR-5 • Brake Cable & Housing: Dahon LiveWire 7.0, anti-compression housing, Slick cables, DuPont L3 lubricant, alloy ferrules • Front Hub: Shimano Disc 32H Black • Rear Hub: Shimano Alfine, 8 speed, 32H black • Spokes: 18/8 stainless steel, brass nipples, black ano • Rims: WTB SX24, disc only, doublewall • Tires: Schwalbe Big Apple, 26" x 2.0", RaceGuard puncture protection, 75 psi • Shifter(s): Shimano Alfine RapidFire plus • Crankset: Kinetix Supra, forged T, CNC alloy guard • Cassette/Freewheel: Shimano 18T • Bottom Bracket: Cartridge, sealed bearings • Chain: Rust Block, GST coated, 3/32" • Pedals: Urban platform • Clip System: Magnetix system
Assortimento di spartiti di musica jazz ed etnica
Scelta di spartiti musicali a carattere jazz ed etnico. Ecco i titoli: - 100 Solos Trumpet, Ed. Wise Publications, ?18 - Artis Woodhouse (realized by), Jelly Roll Morton - The piano rolls, Ed. Hal Leonard, ?15 - Bepop and beyond – A new approach for Jazz Improvisation (con CD), Ed. James Aebersold Jazz, ?22 - Billy Strayhorn, Lush life (for all vocalists and instrumentalists) (con CD), Ed. James Aebersold Jazz, ?14 - Brazilian Jazz (The latest trends in Bossa-Nova and beyond) (con CD), Ed. James Aebersold Jazz, ?14 - Candida Connolly, Indian Melodies for alto saxophone (con CD), Ed. Schott, ?13 - Cannonball Adderley, Greatest Hits (con CD), Ed. James Aebersold Jazz, ?13 - Cedar Walton, Nine jazz originals for all instruments (con CD), Ed. James Aebersold Jazz, ?13 - Charley Gerard, Improvising Jazz Sax, Ed. Amsco Publications, ?13 - Charlie Parker Omnibook for E Flat instruments (transcribed exactly from his recorded Solos), Ed. Atlantic Mucic Corp., ?14 - Charlie Parker Omnibook transposed for B Flat instruments (transcribed exactly from his recorded Solos) – Tenor and soprano sax, trumpet and clarinet, Ed. Atlantic Mucic Corp., ?14 - Charlie Parker, All bird (con CD), Ed. James Aebersold Jazz, ?14 - Chuck Berry's Greatest Hits for guitar tab, Ed. Wise Publications, ?16 - Corey Christiansen, In the style of Charlie Parker (con CD), Ed. Mel Bay, ?15 - Don Sickler (transcribed by), John Coltrane improvised saxophone solos, Ed. CPP/Belwin Inc., ?10 - Eddie Harris, Listen here (con CD), Ed. James Aebersold Jazz, ?15 - G. De Chiaro (arranged by), Complete works of Scott Joplin (52 piano rags, waltzs and marches for guitar solo), Ed. Mel Bay, ?21 - George Gershwin, Rhapsody in Blue for piano and orchestra, Ed. E. Eulenburg, ?15 - Greg Fishman (transcribed by), Stan Getz Bossa Novas, Ed. Hal Leonard, ?17 - Horace Silver – Vol. 18 (con CD), Ed. James Aebersold Jazz, ?16 - Horace Silver, Play-a-long for all instruments (vol. 18), Ed. James Aebersold Jazz, ?10 - Horace Silver, The art of Small Combo Jazz (Playing, composing and arrangin), Ed. Hal Leonard, ?12 - Jack Long, Classic Blues playalong for saxophone (Ten big Blues numbers for alto saxophone) (con CD), Ed. Wise Publications, ?15 - Jack Long, Jazz playalong for Saxophone (Ten jazz standards for alto saxophone) (con CD), Ed. Wise Publications, ?15 - Jack Long, Latin playalong for trumpet (con CD), Ed. Wise Publications, ?14 - Jaco Pastorius (Bass tablature), Ed. Carisch, ?14 - James Aebersold, Jazz Rhythm Section Work-Out (con CD), Ed. James Aebersold Jazz, ?14 - Joe Henderson, Inner Urge (basso saxophone) (con CD), Ed. James Aebersold Jazz, ?14 - John Coltrane, 8 Jazz originals, Ed. James Aebersold Jazz, ?9 - John Coltrane, Acknowledgement – Resolution – Pursuance / Psalm, Ed. Hal Leonard, ?12 - John Keady (transcribed by), Chet Baker - 13 Transcribed Solos from "The Last Graet Concert" - My favourite songs Vol. I & II, Ed. James Aebersold Jazz, ?9 - Lee Morgan, Sidewinder (con CD), Ed. James Aebersold Jazz, ?15 - Lennie Niehaus (transcribed by), Dexter Gordon – Jazz Saxophone solos, Ed. Hal Leonard, ?12 - Lennie Niehaus, Jazz Conception for saxophone duets (con CD), Ed. International Percussion Capitol, ?17 - Michel Petrucciani (piano), Ed. Carisch, ?14 - Miles of Modes (30 exciting tracks) (con 2 CD), Ed. James Aebersold Jazz, ?17 - Nobuya Sugawa, Recital Album (original repertoire for alto saxophone) (con CD), Ed. De Haske, ?14 - Oliver Nelson, Patterns for improvisation, Ed. James Aebersold Jazz, ?11 - Oliver Nelson, Stolen moments, Ed. James Aebersold Jazz, ?10 - Oscar Peterson, Jazz Piano solos, Ed. Hal Leonard, ?13 - Pat Metheny, One quiet night, Ed. Hal Leonard, ?15 - Paul Bonneau, Suite pour saxophone alto et piano, Ed. Alphonse Leduc, ?14 - Paul Honey, Latin playalong for trumpet (con CD), Ed. Wise Publications, ?14 - Paul Honey, Swing playalong for alto saxophone (Ten big Swing numbers) (con CD), Ed. Wise Publications, ?15 - R. De Smet (arranged by), The music of George Gershwin for saxophone, Ed. Wise Publications, ?12 - Randy Brecker, Play the music of... (Jazz play-a-long for all musicians) (con 2 CD), Ed. James Aebersold Jazz, ?17 - Remo Vinciguerra, Easy Gershwin, Ed. Carisch, ?10 - Sanford Marten (transcribed by), Wayne Shorter, Ed. Hal Leonard, ?15 - Saxophone Showcase (complete with chord symbols for guitar and keyboard accompaniments), Ed. International Music Publications, ?11 - Serge Blanc, African percussion - The Djembe (con CD), ?21 - Stan Ayeroff, Benny Goodman - 30 important solos for Bb clarinet, Ed. Amsco, ?15 - Stan Getz, Sax Solos, Ed. Wise Publications, ?13 - Steve Hancoff, New Orleans Jazz for fingerstyle guitar (con CD), Ed. Mel Bay, ?14 - Sukay Workbook (Flutes and melodies of the Andes from Sukay Instrumental) (con CD), Ed. Mel Bay, ?18 - The best of Aretha Franklin, Ed. Carisch, ?12 - The best of Ella Fitzgerald (transcribed by Jim Roberts), Ed. Carisch, ?14 - The best of Jelly Roll Morton (Piano solos), Ed. Hal Leonard, ?10 - The best of Joe Henderson (transcribed by Jim Roberts), Ed. Hal Leonard, ?17 - The Brecker Brothers, Electric Jazz-Fusion play-a-long book, Ed. James Aebersold Jazz, ?11 - The Bud Powell Collection – 9 transcriptions (piano), Ed. Hal Leonard, ?15 - The Erroll Garner Anthology (arranged by Sy Johnson), Ed. Hal Leonard, ?20 - The Magic of Miles Davis – Melodies, Chords, Transposed parts for all instruments (con CD), Ed. James Aebersold Jazz, ?13 - The Manhattan Transfer Songbook (piano, vocal, guitar), Ed. Hal Leonard, ?13 - The Paul Desmond Collection – 17 classic transcriptions (saxophone), Ed. Hal Leonard, ?14 - Timo Shanko (transcribed by), Miles Davis Originals - Vol. 2, Ed. Hal Leonard, ?17 - Woody Shaw, Eight classic Jazz originals, Ed. James Aebersold Jazz, ?9 Lo stato di conservazione varia da BUONO a OTTIMO (alcuni recano cancellature o segni nel frontespizio interno, che non invalidano comunque il contenuto: per dettagli, chiedetemi chiarimenti via eMail).