dandelion soup
Farmhouse Cookbook
ISBN: , SKU: , AUTHOR: Loomis, Susan Herrmann, PUBLISHER: Workman Publishing, Nothing evokes comfort, warmth, and mouth-watering hospitality like the dishes prepared by people who actually grow the food. From Susan Herrmann Loomis, author of "The French Farmhouse Cookbook," "The Italian Farmhouse Cookbook," "The Great American Seafood Cookbook," and "Clambakes & Fish Fries," "Farmhouse Cookbook" is the result of a -mile trek across rural America in search of the soul of the family farm. Passionate in her quest to taste the freshest corn, understand the basics of cattle ranching, and find out just how an artichoke grows, the author contacted legions of farmers who generously shared their time, their knowledge, their homes, and their recipes. Although "Farmhouse Cookbook" includes the best pot roast, meat loaf, and stew you're ever likely to encounter, it goes well beyond the expected meat-and-potatoes fare. Here is Chew Chang's Chicken and Mustard Green Soup, Lentil Salad with Smoked Turkey and Tarragon, Pork Loin with Coriander and Garlic Crust, a Basque Fourteen-Hour Leg of Lamb, Lemony Herbed Chicken Wings, Nate Pennell's Mulligan Stew with Blueberry Dumplings, Amish Corn Pudding, and Mary Navarette's Garlicky Enchiladas, from the Christopher Farm in Gilroy, California, the garlic capital of the world. Plus, extraordinary baking-Hot Pepper Corn Bread, Funny Cake, Peanut Butter Oatmeal Cookies, Rhubarb Crunch, Sour Cherry Crumb Pie, and Best Ever Chocolate Cake. With profiles of farms and farmers, tips, lore, and an almond to zucchini lexicon, "Farmhouse Cookbook" is as irresistible as the ring of the dinner bell over the fields. Selection of the Book-of-the-Month Club's HomeStyle Books and Better Homes & Gardens Family Book Service. copies in print.
Smoking Ears and Screaming Teeth
ISBN: , SKU: , AUTHOR: Norton, Trevor, PUBLISHER: Century, Smoking Ears and Screaming Teeth is a hilarious celebration of the great eccentrics who have performed dangerous experiments on themselves for the benefit of humankind, written with all the wit, humour and eye for the beauties of nature -- and machinery and scientific equipment -- that have gained Trevor Norton a cult following and critical acclaim. Many have followed the advice of the great Victorian scientist Jack Haldane to "never experiment on an animal if a man will do" and "never ask anyone to do anything you wouldn't do yourself." He and his father inhaled poisonous gasses to test the efficacy of the prototype gas mask they had invented. When breathing gasses under pressure he suffered the smoking ears and screaming teeth of the title. The stories are astonishing, disturbing or absurd -- the Marquis de Sade meets Monty Python. John Hunter pioneered self-experimentation and deliberately infected himself with venereal diseases by the puss transference method and gave his name to chancre of the penis. The zoologist Frank Buckland made a concentrated effort to widen the nation's diet by personally testing everything that crossed his path, from boiled elephant's trunk to bluebottles. He published recipes for such delicacies as slug soup. Some medics deliberately contracted deadly blood diseases in the hope of finding cures. Then there was the surgeon who got the sack and won the Nobel prize for thrusting a catheter into his own beating heart. Trevor Norton writes that self-experimentation is still a component of much scientific research. In our health and safety obsessed society, we need people who are willing to risk themselves to make life safer for us.
Vintage Restaurant: Handcrafted Cuisine from a Sun Valley
ISBN: , SKU: , AUTHOR: Keys, Jeff / Allison, Glen, PUBLISHER: Gibbs Smith Publishers, Jeff Keys started his culinary career in Aspen some thirty years ago. Since then, he has worked in and owned many restaurants, developing a love of European cuisine mixed with a rugged western sensibility along the way. He now owns and operates Vintage Restaurant in Sun Valley, Idaho, playground to the famous, wealthy, and well-traveled. Vintage Restaurant is renowned for its rustic elegance, including impeccably prepared and presented cuisine with a sophisticated flair that reflects the untamed beauty of the West. Fresh, in-season ingredients, local flavors, heirloom vegetables, and friendly atmosphere make Vintage the ultimate place to savor a meal after a hard day on the challenging slopes of Sun Valley. Now, experience the unforgettable cuisine of Vintage Restaurant in this new book, featuring classic yet innovative recipes for appetizers, entrees, pastas, salads, soups, and handcrafted desserts including: Prawn and Goat Cheese Tarte Bacon-Wrapped Grilled Fresh Spring Asparagus Mushroom Spinach Strudel Spicy King Crab Salad with Romaine, Tomato, and Cucumber Grilled Chili-Lime Prawn Salad Warm Shiitake Mushroom Sesame Vinaigrette Classic Tomato Soup Seared Muscovy Drake Breast with Creamy Five Rice Wild Mushroom Risotto Paris Bistro Tenderloin of Beef Idaho Ribeye Steak Feast Naturally Raised Veal Rack Chop Tuscan Hill Country Style Apple Wood Smoked Pork Loin Chop with Figs, Ginger, and Chocolate Port Butterflied Idaho Leg of Lamb with a Creamy Mushroom Charlotte Fresh Sea Bass from the Sea of Cortez Cabo San Lucas Style Blood Orange Demitasse Creme Brulee Jamaican Chimney Sweeps Gelato Delights of the Naked Stranger The World's Best Root Beer Float
Vinili Indie Rock, Alternative, New Wave
Vendo 70 dischi vinili. 12 pollici da 45 e 33 RPM. Genere musicale Indie Rock, Goth Rock, New Wave, Alternative Rock, etc. Tutti i vinili sono in buone/ottime condizioni. In blocco vendo a €. A scelta 3,00€ a pezzo. Ecco alcuni titoli: COLOURBOX - COLOURBOX THE ALARM - THE ALARM RED GUITARS - STEELTOWN THE PROCLAIMERS - LETTER FROM AMERICA (BAND VERSION) S.K.A.W. - WITHOUT YOU THE ALARM - RAW THE STRANGLERS - ALL DAY AND ALL THE ALARM - A NEW SOUTH WALES / THE ROCK THE THE - GRAVITATE TO ME THE TIMES - LUNDI BLEU ANASTACIA - I WAS MADE TO LOVE ATFC THE WOODENTOPS - GOOD THING THE DAYTRIPPERS - SHE SAID THAT 3 COLOURS RED - PARALYSE MICK JAGGER - LET'S WORK RED GUITARS - BE WITH ME THE LORD OF THE NEW CHURCH - "M" STYLE STAN RIDGWAY - CAMOUFLAGE RATCAT - TINGLES TERRORVISION - MY HOUSE JULIAN COPE - CHINA DOLL ROBIN - DO YOU KNOW (WHAT IT TAKES) L-U-K-M - DANCE TO THE GERAUSCH THE PROCLAIMERS - I'M ON MY WAY JULIAN COPE - 5 O'CLOCK WORLD 3 COLOURS RED - THIS ISMY HOLLYWOOD NORTHSIDE - MY RISING STAR THE COLOUR FIELD - CASTLES IN THE AIR ANASTACIA - ONE DAY IN YOUR LIFE (ALMIGHT MIX) MESSIAH - I FEEL LOVE THE PUSHKINS - PUMPKIN HEAD SUZANNE VEGA - BLOOD MAKES NOISE SPEAR OF DESTINY - PRISONER OF LOVE ROBBIE WILLIAMS - RADIO REMIXES LIGHT A BIG FIRE - GUNPOWDERS HEADHUNTERS - WIPE OUT THE FUNK DUPLO - SLINGRINGSMONN BACK ROBBERS - JENNY GHOST DANCE - A WORD TO THE WISE THE DENTISTS - DOWN AND OUT IN PARIS AND CHATHAN ASSOCIATES - CLUB COUNTRY SHOP ASSISTANTS - BIG E POWER JAM & SPOON featuring PLAVKA - FIND ME (Odyssey) THEATRE OF HATE - NERO THE SOUP DRAGONS - MOTHER UNIVERSE THE DAMNED - THE SHADOW OF LOVE (THE PRESSURE MIX) CUD - OH NO WON'T DO THE PRIMITIVES - WAY BEHIND ME DIDO - ALL YOU WANT THE ALARM - PRESENCE OF LOVE ANASTACIA - WHY'D YOU LIE TO ME SKIN - FAITHFULNESS MARILLION - HOOKS IN YOU THAT PETROL EMOTION - TINGLE SPANDAU BALLET - BE FREE WITH YOUR LOVE THE SISTERS OF MERCY - NO TIME TO CRY.... E ALTRI TITOLI....
Touching Winter
ISBN: , SKU: , AUTHOR: Rozelle, Ron, PUBLISHER: Texas Christian University Press, Ron Rozelle's new novel, Touching Winter, is a four-part-evocation of memory and place and the yearning for home. Each part of the novel begins with a meditation on one aspect of the protagonist's life as he watches the unpredictable weather of East Texas. When Will was a young boy, he and his grandfather enjoyed being out in the spectacular East Texas storms. These sessions taught Will many things about life--ranching, weather, character, how to be a man--and bound Will to the family land and to his grandfather. Only at the ranch does Will feel like the person he was, or would like to be, before wrong decisions turned his life down an entirely different path. A powerful, early romance proved disastrous, and the relationship haunts him. To compensate for lost love, Will carved a niche for himself in the competitive concrete industry, inventing a technique to make mixing trucks more efficient and becoming wealthier than he could have dreamed. His marriage to a Houston socialite is thin and brittle, unsatisfying for his wife, Lauren, and for himself. Their daughter Aimee lives in California, as far away from her family as possible. As Will ages, he turns to the ranch as a place of clarity in times of crisis, eventually moving back there entirely. He exchanges the public life he and Lauren led in Houston for the simplicity of walks along the rustic fence, lunch with old friends at the town's only diner, and long evenings on the porch watching the stars. Along the way, a fierce, red-breasted hawk comes to represent the spiritual for Will, and he is forced to face the consequences of earlier decisions. "After his soup and crackers he came out here, not interested in the inane offerings ontelevision on such a splendid night. All those years away from here-down in the flat, concrete and steel landscape of Houston--he missed this porch. These hills. These stars. This porch swing, and the larger one that once hung here. He finds Orion, the hunter, in a sky packed with stars. It is a clear, cool night that often precedes a big norther, as if Nature has done a good cleaning, making sure everything is scrubbed bright before the onslaught of a particularly rambunctious visitor. He listens for geese; hopes for them. For the reassurance of their presence, of things moving along... None yet. So far there's just been the sound of a car as it passes, and the slight rustling of leaves in the giant cottonwood that was already old before he was born."
The Charlemagne Pursuit
ISBN: , SKU: , AUTHOR: Berry, Steve, PUBLISHER: Hodder & Stoughton General Division, ONE Garmisch, Germany Tuesday, December 11, The Present 1:40 pm Cotton Malone hated enclosed spaces. His current unease was amplified by a packed cable car. Most of the passengers were on vacation, dressed in colorful garb, shouldering poles and skis. He sensed a variety of nationalities. Some Italians, a few Swiss, a handful of French, but mainly Germans. He'd been one of the first to climb aboard and, to relieve his discomfort, he'd made his way close to one of the frosty windows. Ten thousand feet above and closing, the Zugspitze stood silhouetted against a steel- blue sky, the imposing gray summit draped in a late- autumn snow. Not smart, agreeing to this location. The car continued its giddy ascent, passing one of several steel tres-tles that rose from the rocky crags. He was unnerved, and not simply from the crowded surroundings. Ghosts awaited him atop Germany's highest peak. He'd avoided this rendezvous for nearly four decades. People like him, who buried their past so determinedly, should not help it from the grave so easily. Yet here he was, doing exactly that. Vibrations slowed as the car entered, then stopped at the summit station. Skiers flooded off toward another lift that would take them down to a high- altitude corrie, where a chalet and slopes waited. He didn't ski, never had, never wanted to. He made his way through the visitor center, identified by a yellow placard as MYncher Haus. A restaurant dominated one half of the building, the rest housed a theater, a snack bar, an observatory, souvenir shops, and a weather station. He pushed through thick glass doors and stepped out onto a railed terrace. Bracing Alpine air stung his lips. According to Stephanie Nelle his contact should be waiting on the observation deck. One thing was obvious. Ten thousand feet in the high Alps certainly added a height-ened measure of privacy to their meeting. The Zugspitze lay on the border. A succession of snowy crags rose south toward Austria. To the north spanned a soup- bowl valley ringed by rock- ribbed peaks. A gauze of frosty mist shielded the German vil-lage of Garmisch and its companion, Partenkirchen. Both were sports meccas, and the region catered not only to skiing but also bobsledding, skating, and curling. More sports he'd avoided. The observation deck was deserted save for an elderly couple and a few skiers who'd apparently paused to enjoy the view. He'd come to solve a mystery, one that had preyed on his mind ever since that day when the men in uniforms came to tell his mother that her husband was dead. ""Contact was lost with the submarine forty- eight hours ago. We dispatched search and rescue ships to the North Atlantic, which have combed the last known position. Wreckage was found six hours ago. We waited to tell the families until we were sure there was no chance of survivors." " His mother had never cried. Not her way. But that didn't mean she wasn't devas
Metabones adattatore da Canon EF a Sony E-mount Mark IV
Electronic aperture, EXIF, image stabilization, autofocus Your PayPal receipt is your order confirmation. There is no separate email confirmation until shipment takes place. This Smart AdapterTM has the following features: True electronic integration of aperture diaphragm - let camera automatically choose aperture in P or S exposure modes, or dial in yourself on the camera body in A or M modes. Powered by camera body. No external power source required. Wide open button (opposite of depth-of-field preview function) makes manual focusing easy. The tripod foot is detachable and compatible with Arca Swiss, Markins, Photo cam ball heads. High performance 32-bit processor and efficient switched-mode power supply. Flocking material coating inside the inner hole to reduce the internal reflection. Enhancement on new MARK IV (MB_EF-E-BT4) vs. old MARK IV (MB_EF-E-BM4): The inner hole is painted with flocking material coating. This can further reduce the internal reflection. Disclaimer: we are NOT licensed, approved or endorsed by Sony or Canon. Description Compatibility Supported Not supported EF lenses (see below for list of tested lenses) EF-S lenses (see note 1) Image stabilization (IS) lens Electronic manual focusing (e.g. EF L II and discontinued EF L) EXIF (focal length, aperture, zoom range) P, A, S, M exposure modes Autofocus (see autofocus support section below) Distance and zoom display on VG and FS series camcorders (see note 3) Auto magnify (see note 2) Contax N mount lenses modified to Canon EF by Conurus Contax 645 NAM-1 adapter modified to Canon EF by Conurus Sigma, Tamron and Tokina lenses in Canon EF mount (see note 3) Lens correction such as peripheral shading, CA and distortion Focus confirmation "chip" (e.g. Dandelion) Stacking another lens mount adapter on top (see note 4) Lens: Tamron SP mm F/2.8 XR Di II VC Note: 1. Vignetting at corners may occur for certain EF-S lenses because they are designed to cover a 1.6x crop image circle but Sony NEX has a 1.5x crop sensor. 2. Requires lenses supporting distance information. 3. A third party zoom lens may need to be registered with the Smart Adapter first in order to detect its maximum aperture. Autofocus is disabled for most third-party lenses. 4. For example, some improperly-made M42 screw mount adapters may cause a short-circuit with the electronic contacts of the Smart Adapter and cause damage to the Smart Adapter and/or camera body. Tested Camera Bodies A7S (Mark IV supports auto "APS-C Size Capture" with EF-S lens) - Smart Adapter with firmware V0.32 or later A7R (Mark IV supports auto "APS-C Size Capture" with EF-S lens) A7 (Mark IV supports auto "APS-C Size Capture" with EF-S lens) PXW-FS7(autofocus works only in photo mode, but is disabled in movie capture mode) - Smart Adapter with firmware V0.40 or later NEX-FS700 (autofocus works only in photo mode, but is disabled in movie capture mode) NEX-FS100 (autofocus works only in photo mode, but is disabled in movie capture mode) NEX-EA50 NEX-VG900 (Mark IV supports auto "APS-C Size Capture" with EF-S lens) NEX-VG30 NEX-VG20 NEX-VG10 NEX-7 NEX-6 NEX-5R NEX-5N NEX-5 NEX-C3 NEX-3 NEX-A Tested Lenses The following lenses have been tested for autofocus operation. Minimum firmware version required shown in parenthesis. Thanks to the community for reporting success with lenses shown in bold. Canon EF primes EF L II USM EF L II USM EF IS USM EF L USM (Ver.19) EF L USM EF L II USM EF USM (Ver.18) EF USM macro (Ver.17) EF L USM (Ver.17) EF L II USM (Ver.17) EF L IS USM Extender EF 1.4x III Extender EF 2x (mark I) Canon EF zooms EF L USM fisheye EF L USM EF L (Ver.18) EF USM EF L USM II EF II (Ver.18) EF III EF L (Ver.18) EF L IS USM II EF L USM EF L IS USM EF L IS USM EF IS USM EF (non-L, not USM, push-pull zoom) (Ver.18) EF L IS USM Canon EF-S EF-S USM EF-S IS USM EF-S IS USM EF-S EF-S IS EF-S IS EF-S macro USM Sigma DC DC OS HSM (Ver. DC HSM old version (Ver.18) Tamron SP Di VC USD A007 (Ver.15) SP Di VC USD A009 (Ver.31) Tokina (full frame) (Ver.18) Tokina DX AT-X PRO SD (IF) DX (Ver.15) Note: Sigma OS HSM may occasionally run into a focus accuracy issue at the telephoto end. Manual Focus Only The following lenses have been tested with previous firmware versions with manual focus, aperture control, image stabilization (if applicable) and EXIF support. Autofocus is supported only for those lenses marked with an asterisk (*) on NEX-5R/6 Canon EF primes EF L (mark I) EF USM* EF L USM (mark I) EF (old version, non-IS) TS-E L TS-E EF USM EF II MP-E macro EF L (mark I) EF L USM Canon EF zooms EF L (mark I) EF L IS USM* EF II EF Contax N modified by Conurus Vario-Sonnar Vario-Sonnar Vario-Sonnar Planar Planar Makro-Sonnar (Ver.21) NAM-1 adapter Sigma (full frame) EX HSM EX DG HSM DG HSM (Ver. DG Macro EX DG Macro HSM Sigma DC EX ASPH EX HSM ASPH DC OS HSM EX DC HSM new version (Ver.17) Tamron VC SP SP Di LD A001 Tokina AT-X PRO Zeiss ZE ZE Distagon ZE Distagon ZE Distagon 35/2 ZE Makro-Planar 50/2 ZE Makro-Planar This Smart Adapter is also compatible with fully manual lenses which have no electrical contacts. Customers have reported success with the following fully manual lenses. Samyang Zeiss CP.2 25mm/T2.9 Zeiss CP.mm/T2.1 Note: 1. 1. Lenses not listed above are not tested and they may or may not work. We do our best to resolve any compatibility issue you find but firmware updates are by factory service only and there is a nominal shipping/handling charge. 2. Mount lens on EF Extender 1.4x or 2x first before attaching both on Metabones Smart Adapter. 3. Mount Contax 645 lens on modified NAM-1 first before attaching both on Metabones Smart Adapter. Autofocus Autofocus is supported, with the following known limitations. Autofocus speed is very slow and inadequate for most moving subjects. The autofocus speed is unfit for professional use for sure, and it would disappoint most enthusiasts. Only Canon-branded lenses introduced in or after are officially supported. Autofocus may be disabled for older Canon lenses and most third-party lenses, including most Sigma, Tamron and Tokina lenses and all Contax N lenses modified by Conurus. On NEX camera bodies in camcorder form factor (e.g. FS series), autofocus may be available only in photo mode but not in movie capture mode. Continuous AF is not supported. DMF mode (direct manual focus) is not supported. For non-camcorder camera bodies (e.g. NEX-7), during movie capture, if the subject moves to a different distance, half-press the shutter release button to re-activate autofocus and lock onto the subject again. Since autofocus speed is slow, there may be visible disruption in the resulting footage. The first two autofocus attempts are used to calibrate the lens and as a result may not lock successfully on the target. Half-press the shutter release button again and autofocus will lock successfully. Autofocus may have difficultly locking onto subjects which are very close to the nearest focusing distance of the lens. Autofocus accuracy depends heavily on the working condition of the lens. Lenses with hidden problems which may not be apparent on Canon DSLRs will lead to inaccurate and unreliable autofocus on Sony NEX. Typical problems of this kind that we have seen include an unsmooth/erratic autofocus mechanism (e.g. getting stuck intermittently at a certain focusing distance), a faulty/worn-out distance encoder or other faulty/worn-out internal sensors. Why Metabones? Since its inception, Metabones has been designing and manufacturing lens adapters recognized among professionals and enthusiasts as leaders in design and workmanship. Contrary to the popular trend of other factories using an aluminum ring painted black on the camera-body-side, we instead take no short-cut but use precision-machined brass with chromium plating on both the camera-body and the lens sides of our adapters, in order to ensure smooth mounting, great appearance, and durability. The lens side of the adapter features a strong leaf-spring structure, strengthening the adapter-lens connection and ensuring tightness of the lens in order to reduce wear and prevent focus errors and optical alignment issues from appearing. Metabones uses matte-black treatment to keep internal reflection to a minimum in order to maintain the maximum optical quality possible with the lens. All Metabones Adapters follow this tradition of uncompromising precision, robust build quality and outstanding finish. Our new Smart AdapterTM series of products add industry-leading electronic interfacing technology from Canada, with true electronic control of the lens', aperture directly from the camera body. Features Both camera-side and lens-side of the adapter are made of brass, precision-machined and plated with chromium. Satin surface finish - just like your OEM lens and camera mounts. Precise fit and solid connection - lens has no play, gap or wiggling when mounted on adapter and no adjustments are required to fit your lens. Designed to reach infinity focus while maintaining the correct registration distance required to maintain optical quality of CRC lenses or lenses with floating elements. Our Smart AdapterTM series adapters have the following additional features True electronic integration of aperture diaphragm - let camera automatically choose aperture in P or S exposure modes, or dial in yourself on the camera body in A or M modes. EXIF data such as lens identification, focal length and aperture.