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Sales Administrator Internship - Native German
SPOTAHOME is looking for an ambitious and hands-on proactive person who is able to work within a team, under pressure as well as who is able to quickly take responsibility for reaching Spotahome's goals. The successful candidate will work in and support the Italian Region in order to build and maintain relationships with our existing and new customers, train landlords in their online interface, overview the booking process and help to maintain our landlord database. If you consider yourself to be a communicative person who likes helping others, is easy in sales processes and excited about changing an industry, this is your chance! The Sales Administrator will provide essential support to the German Sales Team. This important position works to ensure and improve the quality of property acquisition and has a big impact on the achievement of Spotahome's targets. This position is designed to keep a close working line between the Sales Team, the Sales Manager and the Functional Manager. The Sales Administrator is responsible for the Lead Generation and new listings accuracy. They will directly report to the Sales Manager. Main tasks: Generating new leads on daily basis for the Sales Team. Contacting new accounts to make sure their listings contain correct and up to date information. Supporting Sales Agents' daily tasks. Compulsory: be able to sign an internship agreement with University/School. Languages; Native/Bilingual German speaker and advanced (B2 - C1) level in English. Other languages are a huge plus. Pay attention to details. Being creative and EAGER to contribute with any ideas you may come up with to add value. Starting date: 1st December . Gain sales and business development experience. A REAL POSSIBILITY to stay in the company after your internship period based on milestones achievement, goals execution and company's needs. Develop a highly entrepreneurial position, obtaining a very global point of view. Be in daily contact with other commercial departments within the Company. Support to the student: 600 € gross/ month + gym copayment.
Contemporary Latina/o Theater: Wrighting Ethnicity
ISBN: , SKU: , AUTHOR: Rossini, Jon D., PUBLISHER: Southern Illinois University Press, In "Contemporary Latina/o Theater," Jon D. Rossini explores the complex relationship between theater and the creation of ethnicity in an unprecedented examination of six Latina/o playwrights and their works: Miguel Pinero, Luis Valdez, Guillermo Reyes, Octavio Solis, Jose Rivera, and Cherrie Moraga. Rossini exposes how these writers use the genre as a tool to reveal and transform existing preconceptions about their culture. Through "wrighting"--the triplicate process of writing plays, righting misconceptions about ethnic identity, and creating an entirely new way of understanding Latina/o culture--these playwrights directly intervene in current conversations regarding ethnic identity, providing the tools for audiences to reexplore their previously held perspectives outside the theater.Examining these writers and their works in both cultural and historical contexts, Rossini reveals how playwrights use the liminal space of the stage--an area on the thresholds of both theory and reality--to "wright" new insights into Latina/o identity. They use the limits of the theater itself to offer practical explorations of issues that could otherwise be discussed only in highly theoretical terms.Rossini traces playwrights' methods as they address some of the most challenging issues facing contemporary Latinas/os in America: from the struggles for ethnic solidarity and the dangers of a community based in fear, to stereotypes of Latino masculinity and the problematic fusion of ethnicity and politics. Rossini discusses the looming specter of the border in theater, both as a conceptual device and as a literal reality--a crucial subject for modern Latinas/os, given recent legislation and other actions.Throughout, the author draws intriguing comparisons to the cultural limbo in which many Latinas/os find themselves today. An indispensable volume for anyone interested in drama and ethnic studies, "Contemporary Latina/o Theater" underscores the power of theatricality in exploring and rethinking ethnicity. Rossini provides the most in-depth analysis of these plays to date, offering a groundbreaking look at the ability of playwrights to correct misconceptions and create fresh perspectives on diversity, culture, and identity in Latina/o America.
The City That Became Safe: New York's Lessons for Urban
ISBN: , SKU: , AUTHOR: Zimring, Franklin E., PUBLISHER: Oxford University Press, The 40% drop in crime that occurred across the U.S. from to largely remains an unsolved mystery. Even more puzzling then is the crime rate drop in New York City, which lasted twice long and was twice as large. This 80% drop in crime over nineteen years represents the largest crime decline on record. In The City that Became Safe, Franklin Zimring sets off in search of the New York difference through a detailed and comprehensive statistical investigation into the city's falling crime rates and possible explanations. If you listen to City Hall, aggressive police created a zero tolerance law enforcement regime that drove crime rates down. Is this self-serving political sound bite true? Are the official statistics generated by the police accurate? Zimring shows the numbers are correct and argues that some combination of more cops, new tactics, and new management can take some credit for the decline, but zero tolerance policing and quality of life were never a consistent part of the NYPD's strategy. That the police can make a difference in preventing crime overturns decades of conventional wisdom for criminologists, but Zimring points out the New York experience challenges the major assumptions dominating American crime and drug control policies that most everyone else has missed. First, imprisonment in actually New York decreased significantly from to and was well below the national average, proving that it is possible to have substantially less crime without increases in incarceration. Second, the NYPD sharply reduced drug violence (over 90%) without any reduction in hard drug use. In other words, they won the war on drug violence without winning the war on drugs. Finally, the stability of New York's population, economy, education, demographics, or immigration patterns calls into question the long-accepted cultural and structural causes of violence in America's cities. That high rates of crime are not hard wired into modern city life is welcome news for policy makers, criminal justice officials, and urban dwellers everywhere.
Metabones adattatore da Nikon G a Sony E-mount
Ips: Before mounting your lens to the adaptor, please make sure that the f-stop of aperture ring on the adaptor is turned to "7" (i.e. mounting your lens to the adaptor while only the aperture ring in the adaptor is full closed.). The tripod foot is Detachable and compatible with Arca Swiss, Markins, Photo cam ball head Why Metabones? Since its inception, Metabones has been designing and manufacturing lens adapters recognized among professionals and enthusiasts as leaders in design and workmanship. Contrary to the popular trend of other factories using an aluminum ring painted black on the camera-body-side, we instead take no short-cut but use precision-machined brass with chromium plating on both the camera-body and the lens sides of our adapters, in order to ensure smooth mounting, great appearance, and durability. The lens side of the adapter features a strong leaf-spring structure, strengthening the adapter-lens connection and ensuring tightness of the lens in order to reduce wear and prevent focus errors and optical alignment issues from appearing. Metabones uses matte-black treatment to keep internal reflection to a minimum in order to maintain the maximum optical quality possible with the lens. All Metabones Adapters follow this tradition of uncompromising precision, robust build quality and outstanding finish. Our new Smart AdapterTM series of products add industry-leading electronic interfacing technology from Canada, with true electronic control of the lens', aperture directly from the camera body. Features Both camera-side and lens-side of the adapter are made of brass, precision-machined and plated with chromium. Satin surface finish - just like your OEM lens and camera mounts. Precise fit and solid connection - lens has no play, gap or wiggling when mounted on adapter and no adjustments are required to fit your lens. Designed to reach infinity focus while maintaining the correct registration distance required to maintain optical quality of CRC lenses or lenses with floating elements. Our Smart AdapterTM series adapters have the following additional features True electronic integration of aperture diaphragm - let camera automatically choose aperture in P or S exposure modes, or dial in yourself on the camera body in A or M modes. EXIF data such as lens identification, focal length and aperture.
Metabones adattatore da Nikon G a micro Quattro terzi 4/3
Tips: Before mounting your lens to the adaptor, please make sure that the f-stop of aperture ring on the adaptor is turned to "7" (i.e. mounting your lens to the adaptor while only the aperture ring in the adaptor is full closed.). The tripod foot is Detachable and compatible with Arca Swiss, Markins, Photo cam ball head Why Metabones? Since its inception, Metabones has been designing and manufacturing lens adapters recognized among professionals and enthusiasts as leaders in design and workmanship. Contrary to the popular trend of other factories using an aluminum ring painted black on the camera-body-side, we instead take no short-cut but use precision-machined brass with chromium plating on both the camera-body and the lens sides of our adapters, in order to ensure smooth mounting, great appearance, and durability. The lens side of the adapter features a strong leaf-spring structure, strengthening the adapter-lens connection and ensuring tightness of the lens in order to reduce wear and prevent focus errors and optical alignment issues from appearing. Metabones uses matte-black treatment to keep internal reflection to a minimum in order to maintain the maximum optical quality possible with the lens. All Metabones Adapters follow this tradition of uncompromising precision, robust build quality and outstanding finish. Our new Smart AdapterTM series of products add industry-leading electronic interfacing technology from Canada, with true electronic control of the lens', aperture directly from the camera body. Features Both camera-side and lens-side of the adapter are made of brass, precision-machined and plated with chromium. Satin surface finish - just like your OEM lens and camera mounts. Precise fit and solid connection - lens has no play, gap or wiggling when mounted on adapter and no adjustments are required to fit your lens. Designed to reach infinity focus while maintaining the correct registration distance required to maintain optical quality of CRC lenses or lenses with floating elements. Our Smart AdapterTM series adapters have the following additional features True electronic integration of aperture diaphragm - let camera automatically choose aperture in P or S exposure modes, or dial in yourself on the camera body in A or M modes. EXIF data such as lens identification, focal length and aperture.
Ritorno al Futuro 3 Â- Lettera di Doc del a Marty nel
Ritorno al Futuro 3, Lettera di Doc dal a Marty nel Fedele riproduzione della lettera della W. Union che Marty riceve nel da DOC, 70 anni dopo che questi è scomparso nel , dopo che la De Lorean è stata colpita da un fulmine, che ha causato un sovraccarico dei circuiti temporali. Esattamente 70 anni, 2 mesi e 12 giorni! 6 fogli pergamena in cui DOC spiega a Marty come è finito nel e come ritrovare la macchina del tempo, con istruzioni e mappe allegate. Ã^ presente anche la mappa della vecchia miniera abbandonata adiacente al cimitero di Boot Hill, in cui è nascosta la macchina del tempo. Compresa la spiegazione e il disegno del circuito per riparare la macchina del tempo con i pezzi del ! Marty successivamente, scoprirà che il DOC scomparso nel verrà ucciso da "Cane Pazzo" Tannen per una faccenda da 80 dollari, e deciderà di andare nel vecchio west, nel , per aiutare DOC, riparando la macchina del tempo nel con lâ€(TM)aiuto del DOC del . Il resto è storia! Per appassionati della serie, un oggetto da collezione! Il testo iniziale della lettera recita: If my calculations are correct, this is the letter received by Marty immediately after seeing the delorean struck by lightning. (Il fulmine ha colpito la De Lorean causando un sovraccarico di Gigavatt che ha mandato in tilt i circuiti temporali, mandando Doc indietro nel ) Stampe A4 di alta qualità su carta pergamena, piegati e riposti dentro una busta da lettera col nome di Marty scritto da Doc, esattamente come li ha ricevuti Marty dal portalettere della W. Union! In regalo il volantino Save the clock tower A richiesta, posso spedire i fogli non piegati. NOTA: LA SCRITTA FAC SIMILE NON Ã^ REALMENTE PRESENTE NELL'OGGETTO CHE RICEVERETE Spedizione unica con posta prioritaria 5 euro oppure raccomandata 7 euro Dispongo di tutte queste riproduzioni di Ritorno al Futuro: La foto nel west con Marty e Doc di fronte all'orologio (stampa fotografica + plastificatura) La lettera (e la busta) del Louis Cafè scritta da Marty per avvisare Doc che nel futuro sarà ucciso dai terroristi Le targhe della De Lorean plastificate (sia OUTATIME che quella del futuro), stampa fotografica + plastificatura) Le targhe della De Lorean in metallo, sia quella OUTATIME sia quella con il codice a barre del futuro, (riproduzioni perfette come le originali, e la targa Outatime ha anche gli adesivi del mese e anno) Il volantino con la foto di Buford “cane pazzo†Tannen del su carta pergamena Il volantino della CUSCO “Youâ€(TM)re Fired!†cioè “sei licenziato†del La copertina dellâ€(TM)Almanacco Sportivo del , in qualità fotografica La copertina della rivista “Oh là là†del , in qualità fotografica Contattatemi per eventuali domande o per avere una lista di tutte le riproduzioni e i prezzi
Kit videoproiettore hd 3d optoma
Vendo kit di videoproiezione della optoma, usato ma in ottime condizioni praticamente nuovo appena 80 ore di proiezione, il kit consiste: optoma hd700x dlp + optoma 3d-xl + 2 paia optoma zd 201 di cui uno ancora neanche usato, funzionano con batterie a bottone durata circa 80 ore di proiezione. un ottimo kit per proiezione in hd/full hd/ 3d hd, utilizzabile con ps3/lettore bd da tavolo 3d/sky 3d/ pc/ ottima visualizzazione, neri profondi sistema dlp nessun effetto zanzariera, un home cinema da favola ad un prezzo che non si trova da nessuna parte! allego caratteristiche: optoma hd700x dlp projector specifications general aspect ratio 16:9 (native) 4:3 brightness (ansi lumens) ansi lumens contrast ratio display type darkchip2 dlp resolution (native / max) hd ( x 720) full hd (x) video compatibility pal, pal-m, secam, ntsc, ntsc 4.43, hdmi (480p, 480i, 576i, 576p, 720p, i, p) size dimensions (wxhxd) 10.2in. x 2.9in. x 7.5in. (cm x 7.37cm x cm) weight 4.4 lbs. (2 kg) connectivity inputs 1 x s-video 1 x vga d-sub 15pin 1 x component 1 x composite 1 x hdmi 1.3 control 1 x usb type b operation power consumption 265w (maximum) 9w (standby) audible noise 29 db operating temperature 41°f ~ 95°f (5°c ~ 35°c) projection lens lamp type 180w lamp life hrs projection distance 3.9ft. ~ 39.4ft. (1.19m ~ m) projection mode front, rear, ceiling, rear & ceiling projection screen size (diagonal) 40in. ~ 290in. (cm ~ cm) throw ratio optical zoom 1.1:1 brightness uniformity 80% other menu languages english, german, french, italian, spanish, portuguese, polish, dutch, russian, finnish, swedish, greek, norwegian/danish, hungarian, czech, arabic in the box items power cord component cable s-video cable scart rgb to vga d-sub 15pin adapter remote control lens cap user guide optoma 3d-xl trasforma l'ordinario in straordinario. compatible con i segnali televisivi di sky 3d; con i player 3d blu-ray players e video-games sony® ps3, meravigliose, immagini coinvolgenti a grandezza naturale a 3d sono ora possibili anche a casa tua! e' necessaro collegare l'adattatore ad una sorgente 3d ed a un proiettore dlp tra quelli indicati sotto, il tutto per visualizzare immagini in grande formato fino a 100":il risultato sono immagini 3d che assicureranno un'esperienza fantastica,un'immersione totale nell'immagine direttamente a casa tua. essere completamente avvolti in questa esperienza non è possibile con le nuove televisioni 3d, per il limite dato dalle dimensioni dello schermo sempre troppo piccolo, e tutto questo un costo nettamente inferiore di un tv 3d! proiettori compatibili optoma dw318; optoma ew615; optoma ex762; optoma hd600x; optoma ew531; optoma ew775; optoma ex779; optoma hd67; ew533st; optoma ex540i; optoma ex779i; optoma hd67n; optoma ew536; optoma ex542i; optoma ex785; optoma ew610st; optoma ex610st; optoma gt720. acer h: projector firmware version: a04 benq mp626: projector firmware version: 101 - no audio heard from projector speakers in 3d mode benq mx750 st: projector firmware version: 0.54 viewsonic pjd: projector firmware version: unknown viewsonic pjdw: projector firmware version: unknown vivitek: projector firmware version: unknown. no "3d sync invert" option in osd - you have to keepd510 enabling/disabling 3d until sync is correct adattatore 3d rioluzione 720p x720, risoluzione massima full hd p (l/r view selectable) compatibilità pal, secam 576i/p, mtsc 480i/p, hd 720p/i/p audio via hdmi dimensioni 280mmx190mmx30mm alimentazione v, hz, consumo energetico 20w (
TC Electronic Intonator Vocal Intonation Processor
Intonator Encompassing a heritage of more than 20 years of delivering professional tools to the pro audio industry, TC Electronic proudly presents a high end vocal processing tool. Dedicated to the professional vocal recording engineer, the Intonator is aimed at reducing tedious engineering time spent on doing vocal re-takes. Not only does it provide you with the ultimate solution to vocal pitch correction, but it offers various valuable processing tools as well, including a De-esser, and a special Adaptive LoCut filter designed specifically for vocal processing. Quality Tools For Quality Engineering Tonal integrity is a must when dealing with delicate human vocals. The Intonator preserves the artist's personal touch by allowing vibrato, initial intonation and correction limited to individual notes. Utmost care has been taken in the software development to ensure that all fine adjustments applied to the incoming signal are being processed in a subtle, yet highly effective manner! Transparency Based on TC's world-renowned DARCâ,,¢3 chip technology (incorporating 96kHz internal processing and true 24 bit resolution), the Intonator provides you with an ultra-transparent signal path. It features fully integrated AES/EBU, S/PDIF, Tos-link and ADAT digital I/O's, and is 96kHz, 88.2kHz, 48kHz and 44.1kHz compatible on both digital and analog I/O's. Coherence Apart from the clear advantages of reducing the time spent on doing vocal re-takes, the Intonator also brings back coherence into the performance. Instead of cutting and pasting bits and phrases, with the loss of coherence as an obvious result, you now have a professional tool for processing and correcting your vocals in real-time. Two Signal Setups The Intonator also makes you capable of configuring the signal path in two different ways. In Normal mode the ADIOS (Analog Dual I/O's) configuration enables you to make simultaneous recordings of processed and unprocessed vocals, making comparisons a breeze (see fig. A). Digital signals, from your digital multitrack recorder for instance, can be configured the same way. In Dual mode you have the option of pitch-correcting the signal in one channel while using the dynamics, De-esser and LoCut, on the signal in the other channel (see fig. B). Being On Top You can choose to correct a single note simply by using the unique "Do-not-process-anything-but-this-note" function achieved via an internal custom scale feature, or type in your personal scale. A Pitch window allows you to specify when a note will be considered out of tune, whereas the Amount control limits the level of Pitch correction added to the audio. The Audio-to-MIDI conversion allows you to keep track of the incoming pitch history and/or correction history, giving you the advantages of being on top of things throughout the entire recording session. The Intonator features full MIDI automation making time based pitch shifting a simple operation. Use your keyboard for real-time manual pitch correction simply by hitting the notes to be processed. Dithering The use of dithering is very important when interfacing digitally between audio equipment. When resolution is changed from higher to lower, dithering is necessary to minimize distortion. In the Intonator you have the user friendly TPDF Dithering. The Output resolution of the Intonator is 24 bit, when the receiver of the Intonator signal has a lower resolution, Output Dither must be applied to equal the resolution of the receiver. Premium Converters When converting from analog to digital or vice versa, you should always try to use the full dynamic range of your converters. Even though the converters in the Intonator are 24 bit, analog gain may be applied before the AD's and after the DA's to make full use of them. The analog signal-path is balanced and can carry professional levels. Applications With the Intonator, you can establish a completely digital signal-path for vocal editing and correction. When tracking, the unit's fine A to D converters may be utilized to get high quality digital signals directly to Multitrack, ADAT, ProTools etc. Audio-to-MIDI With a simple setup you can monitor and edit your vocals externally. Just track the incoming pitch history to your sequencer, add the necessary correction and play back the pitch correction to the Intonator Keyboard The keyboard gives you instant access to changing the Root note of the current scale or the notes allowed to be corrected. Simultaneously the keyboard also indicates the incoming note, making it possible to recognize the note about to be processed. Display The Display shows you the current Root note and Scale. While processing you can see both the incoming signal and the amount of correction added to the source, creating a visual confirmation of the process taking place. Window, Attack and Amount These three knobs allow you to individualize the processing in detail. The Window knob determines how close to a particular note the source should be in order to be corrected. The Attack knob conducts the response-time before the correction sets in. This will help preserve the artist's personal touch by e.g. allowing vibrato. The Amount knob sets the amount of correction added to the signal. Manual Pitch Use the Manual Pitch control to add pitch correction by hand. The wheel can also be remote controlled by your keyboard modulation wheel or even provide in-sync changes when locked to a sequencer. The De-esser uses a relative threshold technique. This means that the actual threshold is always set according to the average level of the source signal. Consequently, the De-esser always adapts to the incoming signal and maintains the same threshold to the average level regardless of the Input signal. Adaptive Locut The Adaptive LoCut is a pitch controlled LoCut Filter. Instead of cutting off frequencies under a predetermined value, the Adaptive LoCut filter controls the cut off frequencies dynamically in accordance with the incoming signal. This ensures a perfect LoCut that never removes too much low end.
Metabones adattatore da Canon EF a Sony E-mount Mark IV
Electronic aperture, EXIF, image stabilization, autofocus Your PayPal receipt is your order confirmation. There is no separate email confirmation until shipment takes place. This Smart AdapterTM has the following features: True electronic integration of aperture diaphragm - let camera automatically choose aperture in P or S exposure modes, or dial in yourself on the camera body in A or M modes. Powered by camera body. No external power source required. Wide open button (opposite of depth-of-field preview function) makes manual focusing easy. The tripod foot is detachable and compatible with Arca Swiss, Markins, Photo cam ball heads. High performance 32-bit processor and efficient switched-mode power supply. Flocking material coating inside the inner hole to reduce the internal reflection. Enhancement on new MARK IV (MB_EF-E-BT4) vs. old MARK IV (MB_EF-E-BM4): The inner hole is painted with flocking material coating. This can further reduce the internal reflection. Disclaimer: we are NOT licensed, approved or endorsed by Sony or Canon. Description Compatibility Supported Not supported EF lenses (see below for list of tested lenses) EF-S lenses (see note 1) Image stabilization (IS) lens Electronic manual focusing (e.g. EF L II and discontinued EF L) EXIF (focal length, aperture, zoom range) P, A, S, M exposure modes Autofocus (see autofocus support section below) Distance and zoom display on VG and FS series camcorders (see note 3) Auto magnify (see note 2) Contax N mount lenses modified to Canon EF by Conurus Contax 645 NAM-1 adapter modified to Canon EF by Conurus Sigma, Tamron and Tokina lenses in Canon EF mount (see note 3) Lens correction such as peripheral shading, CA and distortion Focus confirmation "chip" (e.g. Dandelion) Stacking another lens mount adapter on top (see note 4) Lens: Tamron SP mm F/2.8 XR Di II VC Note: 1. Vignetting at corners may occur for certain EF-S lenses because they are designed to cover a 1.6x crop image circle but Sony NEX has a 1.5x crop sensor. 2. Requires lenses supporting distance information. 3. A third party zoom lens may need to be registered with the Smart Adapter first in order to detect its maximum aperture. Autofocus is disabled for most third-party lenses. 4. For example, some improperly-made M42 screw mount adapters may cause a short-circuit with the electronic contacts of the Smart Adapter and cause damage to the Smart Adapter and/or camera body. Tested Camera Bodies A7S (Mark IV supports auto "APS-C Size Capture" with EF-S lens) - Smart Adapter with firmware V0.32 or later A7R (Mark IV supports auto "APS-C Size Capture" with EF-S lens) A7 (Mark IV supports auto "APS-C Size Capture" with EF-S lens) PXW-FS7(autofocus works only in photo mode, but is disabled in movie capture mode) - Smart Adapter with firmware V0.40 or later NEX-FS700 (autofocus works only in photo mode, but is disabled in movie capture mode) NEX-FS100 (autofocus works only in photo mode, but is disabled in movie capture mode) NEX-EA50 NEX-VG900 (Mark IV supports auto "APS-C Size Capture" with EF-S lens) NEX-VG30 NEX-VG20 NEX-VG10 NEX-7 NEX-6 NEX-5R NEX-5N NEX-5 NEX-C3 NEX-3 NEX-A Tested Lenses The following lenses have been tested for autofocus operation. Minimum firmware version required shown in parenthesis. Thanks to the community for reporting success with lenses shown in bold. Canon EF primes EF L II USM EF L II USM EF IS USM EF L USM (Ver.19) EF L USM EF L II USM EF USM (Ver.18) EF USM macro (Ver.17) EF L USM (Ver.17) EF L II USM (Ver.17) EF L IS USM Extender EF 1.4x III Extender EF 2x (mark I) Canon EF zooms EF L USM fisheye EF L USM EF L (Ver.18) EF USM EF L USM II EF II (Ver.18) EF III EF L (Ver.18) EF L IS USM II EF L USM EF L IS USM EF L IS USM EF IS USM EF (non-L, not USM, push-pull zoom) (Ver.18) EF L IS USM Canon EF-S EF-S USM EF-S IS USM EF-S IS USM EF-S EF-S IS EF-S IS EF-S macro USM Sigma DC DC OS HSM (Ver. DC HSM old version (Ver.18) Tamron SP Di VC USD A007 (Ver.15) SP Di VC USD A009 (Ver.31) Tokina (full frame) (Ver.18) Tokina DX AT-X PRO SD (IF) DX (Ver.15) Note: Sigma OS HSM may occasionally run into a focus accuracy issue at the telephoto end. Manual Focus Only The following lenses have been tested with previous firmware versions with manual focus, aperture control, image stabilization (if applicable) and EXIF support. Autofocus is supported only for those lenses marked with an asterisk (*) on NEX-5R/6 Canon EF primes EF L (mark I) EF USM* EF L USM (mark I) EF (old version, non-IS) TS-E L TS-E EF USM EF II MP-E macro EF L (mark I) EF L USM Canon EF zooms EF L (mark I) EF L IS USM* EF II EF Contax N modified by Conurus Vario-Sonnar Vario-Sonnar Vario-Sonnar Planar Planar Makro-Sonnar (Ver.21) NAM-1 adapter Sigma (full frame) EX HSM EX DG HSM DG HSM (Ver. DG Macro EX DG Macro HSM Sigma DC EX ASPH EX HSM ASPH DC OS HSM EX DC HSM new version (Ver.17) Tamron VC SP SP Di LD A001 Tokina AT-X PRO Zeiss ZE ZE Distagon ZE Distagon ZE Distagon 35/2 ZE Makro-Planar 50/2 ZE Makro-Planar This Smart Adapter is also compatible with fully manual lenses which have no electrical contacts. Customers have reported success with the following fully manual lenses. Samyang Zeiss CP.2 25mm/T2.9 Zeiss CP.mm/T2.1 Note: 1. 1. Lenses not listed above are not tested and they may or may not work. We do our best to resolve any compatibility issue you find but firmware updates are by factory service only and there is a nominal shipping/handling charge. 2. Mount lens on EF Extender 1.4x or 2x first before attaching both on Metabones Smart Adapter. 3. Mount Contax 645 lens on modified NAM-1 first before attaching both on Metabones Smart Adapter. Autofocus Autofocus is supported, with the following known limitations. Autofocus speed is very slow and inadequate for most moving subjects. The autofocus speed is unfit for professional use for sure, and it would disappoint most enthusiasts. Only Canon-branded lenses introduced in or after are officially supported. Autofocus may be disabled for older Canon lenses and most third-party lenses, including most Sigma, Tamron and Tokina lenses and all Contax N lenses modified by Conurus. On NEX camera bodies in camcorder form factor (e.g. FS series), autofocus may be available only in photo mode but not in movie capture mode. Continuous AF is not supported. DMF mode (direct manual focus) is not supported. For non-camcorder camera bodies (e.g. NEX-7), during movie capture, if the subject moves to a different distance, half-press the shutter release button to re-activate autofocus and lock onto the subject again. Since autofocus speed is slow, there may be visible disruption in the resulting footage. The first two autofocus attempts are used to calibrate the lens and as a result may not lock successfully on the target. Half-press the shutter release button again and autofocus will lock successfully. Autofocus may have difficultly locking onto subjects which are very close to the nearest focusing distance of the lens. Autofocus accuracy depends heavily on the working condition of the lens. Lenses with hidden problems which may not be apparent on Canon DSLRs will lead to inaccurate and unreliable autofocus on Sony NEX. Typical problems of this kind that we have seen include an unsmooth/erratic autofocus mechanism (e.g. getting stuck intermittently at a certain focusing distance), a faulty/worn-out distance encoder or other faulty/worn-out internal sensors. Why Metabones? Since its inception, Metabones has been designing and manufacturing lens adapters recognized among professionals and enthusiasts as leaders in design and workmanship. Contrary to the popular trend of other factories using an aluminum ring painted black on the camera-body-side, we instead take no short-cut but use precision-machined brass with chromium plating on both the camera-body and the lens sides of our adapters, in order to ensure smooth mounting, great appearance, and durability. The lens side of the adapter features a strong leaf-spring structure, strengthening the adapter-lens connection and ensuring tightness of the lens in order to reduce wear and prevent focus errors and optical alignment issues from appearing. Metabones uses matte-black treatment to keep internal reflection to a minimum in order to maintain the maximum optical quality possible with the lens. All Metabones Adapters follow this tradition of uncompromising precision, robust build quality and outstanding finish. Our new Smart AdapterTM series of products add industry-leading electronic interfacing technology from Canada, with true electronic control of the lens', aperture directly from the camera body. Features Both camera-side and lens-side of the adapter are made of brass, precision-machined and plated with chromium. Satin surface finish - just like your OEM lens and camera mounts. Precise fit and solid connection - lens has no play, gap or wiggling when mounted on adapter and no adjustments are required to fit your lens. Designed to reach infinity focus while maintaining the correct registration distance required to maintain optical quality of CRC lenses or lenses with floating elements. Our Smart AdapterTM series adapters have the following additional features True electronic integration of aperture diaphragm - let camera automatically choose aperture in P or S exposure modes, or dial in yourself on the camera body in A or M modes. EXIF data such as lens identification, focal length and aperture.