ISBN: , SKU: , AUTHOR: Brake, Laurel, PUBLISHER: Boydell & Brewer, In these specially commissioned new essays, seven scholars, from the United Kingdom and the Continent, consider a variety of imaginative articulations of the endings of epochs from the end of the sixteenth century to the present day; their subjects are as diverse as Milton's twin-vision of banishment and beginning to Donna Harraway's A Manifestation for Cyborgs' and Don DeLillo's version of the death of the author in Mao II. The essays treat drama, epic, poetry, the periodical press, fiction, and current theory; principal authors include Milton, An Collins, Shakespeare, John Fletcher, Henry James, Ella D'Arcy, Arthur Symons, Olive Schreiner, Angela Carter, Bell Hooks, Donna Harraway, Alasdair Gray, Martin Amis, Shena Mackay, and Don DeLillo.Dr LAUREL BRAKE is Senior Lecturer in Literature at Birkbeck College. The contributors are: HELEN WILCOX, GORDON McMULLEN, LAUREL BRAKE, JOSEPH BRISTOW, MARGARET BEETHAM, PENNY SMITH, JEREMY GREEN
ISBN: , SKU: , AUTHOR: Eathorne, Richard, PUBLISHER: Dushkin/McGraw-Hill, The Annual Editions series is designed to provide convenient, inexpensive access to a wide range of current articles from some of the most respected magazines, newspapers, and journals published today. Annual Editions are updated on a regular basis through a continuous monitoring of over 300 periodical sources. The articles selected are authored by prominent scholars, researchers, and commentators writing for a general audience. Annual Editions volumes have a number of organizational features designed to make them especially valuable for classroom use: a general introduction; an annotated table of contents; a topic guide; an annotated listing of supporting World Wide Web sites; Learning Outcomes and a brief overview at the beginning of each unit; and a Critical Thinking section at the end of each article. Each volume also offers an online Instructor's Resource Guide with testing materials. "Using Annual Editions in the Classroom" is a general guide that provides a number of interesting and functional ideas for using Annual Editions readers in the classroom. Visit www.mhhe.com/annualeditions for more details. Acquista Ora
ISBN: , SKU: , AUTHOR: Solomon, Harry M., PUBLISHER: Southern Illinois University Press, Robert Dodsley () started life humbly for a man destined to become his century's premier bookseller and publisher. He began as an apprentice weaver and developed into a poet and playwright. He served as protege, publisher, or patron of Pope, Johnson, Fielding, Richardson, Voltaire, Rousseau, Lady Mary Wortley Montagu, Edward Young, Joseph and Thomas Warton, Thomas Gray, Horace Walpole, David Garrick, Tobias Smollett, Oliver Goldsmith, Laurence Sterne, Thomas Percy, Edmund Burke, and others. Virtually all significant mid-century English writers had some connection with Dodsley or with Tully's Head, the bookshop Alexander Pope helped the young Dodsley initiate. Tully's Head, in fact, evolved into the center for the "Athenian Nights" memorialized by Dodsley's friend Samuel Johnson. Harry M. Solomon is the first scholar to integrate recent research by Elizabeth Eisenstein and Alvin Kernin on the impact of print--including print's impact on political activism and canon formation--into the study of an individual bookseller. Dodsley, he notes, presided over a period of transition: as Edmund Moore observed in a issue of Dodsley's periodical "The World, "the old patronage of learning by "the GREAT" has been superseded by "the new patrons, the BOOKSELLERS." Solomon takes this transformation seriously, treating Dodsley as much more than the stereotypical bookseller unimaginatively reacting to the marketplace. Formerly controlled by patronage and state censorship, the world of letters had been shaped by an oral, aristocratic, amateur, authoritarian, and court-centered tradition. Solomon shows Dodsley at the center of the change to a new democratic world of letters, a world driven by print technology and market demand. As the bookseller who played a pivotal role in the careers of both Pope and Johnson, Dodsley published the works of the last genius of the old aristocratic order (Pope) and of the first genius of the new age of print (Johnson). Solomon documents Dodsley's ingenious articulation of his financial interests in newspapers, journals, and book publishing, proving that contrary to the traditional view of booksellers, Dodsley was no insignificant tradesman accidentally associated with genius. Solomon presents Dodsley, in fact, as the most influential English literary force during his lifetime. Chronicling Dodsley's close involvement first with the couplet masterpieces of Pope and Johnson and later with the ambitious odes of Thomas Gray and the Wartons, Solomon argues that Dodsley's enterprises were the impetus for a conscious shift from the Augustan to the Romantic era--a shift that mirrors precisely the development of Dodsley's own plays and poems.