33 giri - 10 euro l'uno - 250 euro tutti (38 dischi) 45 giri - 5 euro l'uno - 50 euro tutti (25 dischi) 33 GIRI howard jones - like to get to know you well - america - wiev - band aid - do they know it's christmas - paul young - no parlez - howard jones - dream into action - antonello venditti - benvenuti in paradiso - Lucio Battisti - Emozioni - Spandau Ballet - Parade - Spandau Ballet - Trought the barricades - Duran Duran - mixing estending version - Duran Duran - Arena - Duran Duran - Duran Duran - Duran Duran - Seven and the ragged tiger - Duran Duran - Notorius - Duran Duran - Big Thing - Nick Kamen - Tell me - Sade - Promise - Sade - Diamond Life - Madonna - Like a virgin - Wham - Everything you wants - Whitney Houston - Whitney Houston - Rick Springfield - Hard to hold - Dalla Morandi - (doppio) Ennio Morricone - Secret of the sahara - Dimensione Dance - ° Zecchino d'oro - Julio Iglesias - Amanti - Massimo Ranieri - 'O surdato 'nnamurato - Rugantino - (doppio) Alvin Lee - Rock and roll music to the world - Claudio Villa - Souvenir d'Italie - Claudio Villa - Il meglio dei suoi Festival di Sanremo - Claudio Villa - 25 anni di canzoni - Mina - 20 successi - GIRI Dario Fo - E chi ce lo fa fare - Thompson Twins - you take me up - Pippo Franco - Isotta - Pippo Franco - Mi scappa la pipÏ papà - Gianni Togni - Giulia - Anna Oxa - Un emozione da poco - Julio Iglesias - Se mi lasci non vale - Amanda Lear - Alphabet - Ricchi e poveri - cosa sei - Corrado - Il Leone - Corey Hart - Eurasian Eyes - Sheila - Singin' in the rain - howard jones - like to get to know you well - Matia Bazar - Solo tu - Mago ZurlÏ - Le fiabe - Loretta Goggi - Io nascerò - Collage - Tu mi rubi l'anima - Renato Zero - Triangolo - 197
Vendo i 45 degli Artisti Stranieri di seguito elencati: Abba - Adam & The Ants - Adam Ant - Al Stewart - Alain Barriere - Albania - Alphaville - Alvin Stardust - Amanda Lear - Antillectual - Aphrodite's Child - Art Garfunkel - Asian Dub Foundation - Bandolero - Bangles - Bee Gees - Belouis Some - Ben E. King - Bert Kaempfert - Billy Paul - Boomtown Rats - Bronsky Beat - Bruce Ruffin - Bruce Springsteen - Buggles - Cat Stevens - Chanter Sisters - Chariot - Charles Aznavour - Chicago - Chicks On Speed - Christophe - Chubby Checker - Classix Nouveaux - Connie Francis - Crosby, Still, Nash & Young - Curtis Mayfield - Daft Punk - Damned - Dave Gahan - Depeche Mode - David Essex - Dead Or Alive - Dee D. Jackson - Demis Roussos - Diana Ross - Dinah Shore - Dire Straits - Donna Summer - Duran Duran - Eddy Grant - Edith Piaf - Elen Melik - Elton John - Elvis Presley - Eric Carmen - Europe - Falco - Faz! - F.R. David - Francoise Hardy - Frank Sinatra - Frankie Avalon - Freur - Frida - Gene Pitney - Genesis - George Baker - George Michael - George Moustaki - Georgia Gibbs - Ghostbusters - Giddy Motors - Gilbert Becaud - Go Go's - Go West - Goldfrapp - Grace Jones - Grease - Guesch Patti - Haircut One Hundred - Hall & Oates - Harry Nilsson - Heaven 17 - Herb Alpert & The Tijuana Brass - Hosoi Bros. - Howard Jones - Hugh Cornwell - Igal Shamir - Imagination - Jack Scott - James Brown - Jill Jones - Jim Porto - Jimmy Darren - Jimmy Rodgers - Jody Miller - Joe Cocker - Joe Quarteman & Free Soul - John Lennon & Yoko Ono - John Travolta - John Williams - Jon & Vangelis - Julio Iglesias - Kate Bush - Kim and the Cadillacs - Kim Carnes - Kim Wilde - Kinks - Kiss - Knack - Kraftwerk - La Belle Epoque - Lambcop - Landscape - Langhorne Slim - Les Chakachas - Les Costa - Level 42 - Lio - Love To Love - Madness - Madonna - Marcel Bianchi - Marillion - Marino Barreto Junior - Men At Work - Men Without Hats - Michael Jackson - Michael Zager Band - Mike Oldfield - Moby e tanti altri.
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ISBN: , SKU: , AUTHOR: Solomon, Harry M., PUBLISHER: Southern Illinois University Press, Robert Dodsley () started life humbly for a man destined to become his century's premier bookseller and publisher. He began as an apprentice weaver and developed into a poet and playwright. He served as protege, publisher, or patron of Pope, Johnson, Fielding, Richardson, Voltaire, Rousseau, Lady Mary Wortley Montagu, Edward Young, Joseph and Thomas Warton, Thomas Gray, Horace Walpole, David Garrick, Tobias Smollett, Oliver Goldsmith, Laurence Sterne, Thomas Percy, Edmund Burke, and others. Virtually all significant mid-century English writers had some connection with Dodsley or with Tully's Head, the bookshop Alexander Pope helped the young Dodsley initiate. Tully's Head, in fact, evolved into the center for the "Athenian Nights" memorialized by Dodsley's friend Samuel Johnson. Harry M. Solomon is the first scholar to integrate recent research by Elizabeth Eisenstein and Alvin Kernin on the impact of print--including print's impact on political activism and canon formation--into the study of an individual bookseller. Dodsley, he notes, presided over a period of transition: as Edmund Moore observed in a issue of Dodsley's periodical "The World, "the old patronage of learning by "the GREAT" has been superseded by "the new patrons, the BOOKSELLERS." Solomon takes this transformation seriously, treating Dodsley as much more than the stereotypical bookseller unimaginatively reacting to the marketplace. Formerly controlled by patronage and state censorship, the world of letters had been shaped by an oral, aristocratic, amateur, authoritarian, and court-centered tradition. Solomon shows Dodsley at the center of the change to a new democratic world of letters, a world driven by print technology and market demand. As the bookseller who played a pivotal role in the careers of both Pope and Johnson, Dodsley published the works of the last genius of the old aristocratic order (Pope) and of the first genius of the new age of print (Johnson). Solomon documents Dodsley's ingenious articulation of his financial interests in newspapers, journals, and book publishing, proving that contrary to the traditional view of booksellers, Dodsley was no insignificant tradesman accidentally associated with genius. Solomon presents Dodsley, in fact, as the most influential English literary force during his lifetime. Chronicling Dodsley's close involvement first with the couplet masterpieces of Pope and Johnson and later with the ambitious odes of Thomas Gray and the Wartons, Solomon argues that Dodsley's enterprises were the impetus for a conscious shift from the Augustan to the Romantic era--a shift that mirrors precisely the development of Dodsley's own plays and poems.